 |
 |
 |
 |
|
News Bio/CV Contact | |  |
|
Fjellerup, Denmark, 2013 | |  |
|
A Hard Read, 2013 | |  |
|
Jamaica, Queens, 2012 | |  |
|
At Home at Hopper('s) House, 2011 | |  |
|
Visitor, 2006 - 2010 | |  |
|
A Lot, 2009 - present | |  |
|
Welcome Home, 2008 - 2010 | |  |
|
Chez Hilton, 2008 | |  |
|
Faceless Portrait, 2007 | |  |
|
"Outsiders" & "Insiders," 2003 - present | |  |
|
Login | |  |
 |
 |
 |
 |
 |
 |
 |
|
 |
 |
 |
 |
 |
 |
 |
 |
|
|
|
|
CV  I am an interdisciplinary artist, combining art-making (mostly photo-based) with community organizing. My interests include the ways in which we use space, literacies, and de-segregating “outsider artists” and MFA artists. My art projects are layered and involve research and creating & sharing spatial pockets outside and within existing structures - in order to rest, reflect, facilitate interactions and bring about action.
I've spoken about my work at the Open Engament conferences, the Homework conference (organized by Broken City Lab) as well as on NPR (The Leonard Lopate show.) Among the places, I've exhibited my work are: Denise Bibro Gallery, Flux Factory, New York Center for Book Arts, A.I.R. Gallery, MCLA Gallery 51, ROCA, Edward Hopper House, Jamaica Center for Arts & Learning and Tina B. Contemporary (Prague.) With Katherine Newbegin, I started the Hunter Photo Collective, and I am an early member of the tART Collective. When I participated in a pilot program for artist residencies at Arts@Renaissance, I combined the residency with offering a literacy service.
|
|
 |
|
|
|
|
I hold an MFA in Visual Arts from Hunter College in New York, NY, and an MA in International Relations from University of Chicago, IL. At Hunter College, I was awarded a Luetz/Riedel Fellowship for exchange studies at the Slade, London. I have received funding from Manhattan Cultural Arts Fund, Queens Arts Council and Norddjurs Kommune (Denmark.) My work is in the collection of Candida Höfer and Edward Hopper House, Nyack, NY.
In 2013, the Romare Bearden foundation chose me to be one of 100 artists to pick and discuss a work of his for the Bearden Centennial; I will do my first art project in the place where I grew up, Denmark, and, in November, I will present a research paper in connection with my art projects - at the Negotiating Points of Encounter conference, organized by National Women’s Study Association.
|
|
 |
 |
 |
 |
 |
 |
 |
 |
 |
|
|
|
|
NWSA Nov. 7-10, 2013 At this conference, Negotiating Points of Encounter, I will present a paper, Multiplicities of Gender, that integrates recent work, and participate in a panel discussion.
|
|
 |
|
|
|
|
Fjellerup, Denmarkarchival inkjet print July 14th - August 11th, 2013. My project exhibition Fjellerup i Bund & Grund is supported by Norddjurs Kommune and Fjellerup Kraemmerforening. Participants: Norbert Francis Attard, Julia Whitney Barnes, Monica Carrier, Jo Q. Nelson and Christine Sciulli.
|
|
 |
 |
 |
 |
 |
 |
 |
 |
 |
|
|
|
|
Synthetic ZeroBronx Art Space, opening November 16th, 2012, curated by Mitsu Hadeishi and Jo Q. Nelson For this group exhibition, I am showing a recent series of photographs inspired by Paul Bowles and his hometown of Jamaica, Queens.
The Synthetic Zero events are a series of art events focusing on high quality experimental and contemporary work in different media. We don't typically specify a theme in advance for each event but instead work with ideas that emerge from the interaction between the submitted work and curatorial interests. By working this way, the events reflect back the dialogue and practice of artists involved and create evocative encounters for the audience.
|
|
 |
|
|
|
|
QPTV review of What If We Re-Made US Housing Policy?September, 2012 review of my work by Vanessa Gualdron:
Once you nearly complete your round around the space, you come across Anna Lise Jensen’s pieces. A combination of photographs taken in Jamaica, Queens coupled with excerpts of Paul Bowles, a Jamaica native, writing from his time spent in Tangiers. Jensen’s pieces were an inspiring way to end the show. While the other artists provided the public with the different realities of homelessness, she offers ways to deal with urban abandonment and displacement; focusing specifically on Jamaica. By keeping her proposal on a local level, I think Jensen instilled a feeling of community and alliance, a feeling you should walk away with.
|
|
 |
 |
|
 |